To the Show

Next in the evening's proceedings is the show. There are some interesting if more subtle variations here.

The Steptoes attend a performance of 'Richard III' at the Old Vic. As in the lounge, Harold tries to elevate his social status by loudly asking questions of his father, trying to sound literate to the other people in attendance. Albert doesn't understand the Shakespearian era language and doesn't believe a king would act the way the actor is portraying him. Harold energetically explains this is an historical piece. He accuses Albert of knowing nothing of his own country's history, being more familiar with the American Old West from movies and TV. A bell sounds to announce the start of the second act. Once Albert finds out there's another two hours of play to go, he refuses to return to the theatre. Harold doesn't argue with him because he's seen it already. They'll just head for dinner.

Lamont has taken his father to see the film version of 'Fiddler on the Roof'. Fred's not enjoying himself because he doesn't understand it, although he might if he were Jewish. Lamont accuses him of not having it in him to understand, that he doesn't try to like anything deeper than a TV show. When the buzzer announces the second half of the film, Fred announces he's not going back in, Lamont can finish up the movie, Fred's happy with the nice evening they've had so far, but Fred will catch the bus and meet him at home. Lamont declares he promised him dinner and to dinner they will go.

Both sons take their father to something they hope will elevate the mind a bit, show them the finer things that art can offer. Neither father is interested. While Harold attempts to do some social climbing, Lamont is only concerned with his father's reaction. Lamont's not interesting in getting on the good side of other people here, just his father. Both sons feel that TV westerns are their father's main entertainment. Interestingly, they don't reference the same one: Harold declares Albert a fan of 'Bonanza' whereas Fred watches 'Gunsmoke'.

The most important variation comes with the exit. Harold is tired of arguing. He's seen the play before so he can live with missing the rest. Annoyed he drags his father off to dinner.

Unlike Albert, Fred offers to go home at this point. He doesn't want to spoil Lamont's night out. While both fathers expressed that they wouldn't enjoy the evening if it was too posh, Fred is the only one of the two to try and gracefully leave, thanking his son and wanting the son to enjoy himself. Lamont doesn't indicate he's already seen the film, it's implied he hasn't already, but by this point he's so upset with his father that he's taking his father to dinner because that's what he's promised to do.

While both are funny, I think the Sanford scene accomplishes more. Fred offering to go home is an interesting 'I want my son to be happy' piece that the Steptoe episode doesn't offer. Due to the variation in length for the restaurant scene between the episodes, it's important for Lamont to be angry now. He doesn't have time to slowly boil over in the next scene like Harold does.